The Clock

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  4. Is “The Clock” Worth the Time? | The New Yorker

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The Clock Add Article. The Clock Critics Consensus No consensus yet. Super Reviewer. Share on Facebook. View All Photos. Movie Info The Clock was designed by MGM as a "small" picture--though characteristically, it was a bigger production than most "A" efforts from any other studio. Over the next 48 hours, the girl and the soldier fall in love, make the acquaintance of such lovable gotham types as cabbie James Gleason and inebriate Keenan Wynn, and decide to get married before the GI is shipped out again.

The enormous Pennsylvania Station set, combined with some unusually convincing back projection MGM was hitherto notorious for the worst back projection in the business has convinced even lifelong New Yorkers that The Clock was actually lensed in Manhattan rather than Hollywood. Director Vincente Minnelli injected further visual dynamism in The Clock by seldom repeating the same camera angle twice. Vincente Minnelli. Joseph Schrank , Robert Nathan.

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Feb 6, Robert Walker as Cpl. Joe Allen. Judy Garland as Alice Maybery. Keenan Wynn as The Drunk. James Gleason as Al Henry. Lucille Gleason as Mrs. Al Henry. Marshall Thompson as Bill. Ruth Brady as Helen. Paul E. Burns as Bartender. Chester Clute as Michael Henry. Wheaton Chambers. Dick Elliott as Friendly Man. Moyna MacGill as Luncheonette Lady. Arthur Space as Blood Tester. Ray Teal as Cop. Robert E. Homans as Official.

Feb 28, Full Review…. Feb 12, Full Review…. Its combinations of coinciding sounds and images were a model for the synchronicity of The Clock. The Clock has been viewed as an extension of similar compilations, particularly by Christoph Girardet. It arranges them into clusters to illustrate Hitchcock's techniques and motifs.

Functions & Events

In contrast, Marclay seeks to replicate Hollywood production through high-quality footage with standardised sound production and aspect ratios. Girardet wanted to show how interchangeable the cinema footage could be.

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Chambaud's use of still images give L'Horloge a slower, more regular pace, whereas The Clock experiments with the rhythm of commercial films. Some text for this article was copied from article Christian Marclay. From Wikipedia, the free encyclopedia. Play media. The Globe and Mail. Retrieved 31 May The New York Review of Books : 14—6. SF Weekly. Retrieved 30 May The New Yorker. The Wall Street Journal. Capital New York. The New York Times. Retrieved 1 June The Wire : 41— Los Angeles Times.

Retrieved 2 June The Telegraph. The Economist. ART iT. Retrieved 19 June Chicago Tribune.

Is “The Clock” Worth the Time? | The New Yorker

Retrieved 10 September Framework: The Journal of Cinema and Media. Wayne State University Press. Canadian Art. Retrieved 8 July Retrieved 5 June The Guardian. May MIT Press : —7. Movie montage for LA".

The Art Newspaper. Financial Times. Retrieved 3 June Art in America. The Australian. Film Comment. Film Society of Lincoln Center. Retrieved 25 June Christian Marclay. Phaidon Press. Monopol in German. White Cube. Paula Cooper Gallery. Los Angeles County Museum of Art. Centre Georges Pompidou. Museum of Fine Arts, Boston. National Gallery of Canada. Museum of Contemporary Art Australia. The Clock ' " PDF. Point of View. Documentary Organization of Canada Wexner Center for the Arts. San Francisco Museum of Modern Art. Winnipeg Art Gallery.

Retrieved 1 February Walker Art Center. Art Gallery of Alberta.